On August 31, 2026, EPCOT’s World Showcase suffered a quiet yet devastating loss. Master artisan Alba Hernandez Santiago, who spent 24 years hand-painting Oaxacan wood carvings (alebrijes) inside the Mexico Pavilion, packed up her workbench for the final time. Disney gave fans almost no notice before shutting down the shop, with rumors suggesting the space will soon serve as a queue overflow for the neighboring La Cava del Tequila bar.

Santiago’s sudden exit isn’t just a minor operational change; it marks the official end of resident master craftspeople at EPCOT.
The Erasure of World Showcase Artisans
When EPCOT opened in 1982, it was designed as an educational World’s Fair. Its greatest feature wasn’t thrill rides, but authentic cultural exchange. Guests could meet international ambassadors, learn history, and watch master artists practice traditions passed down through generations.

Over the last fifteen years, Disney has systematically eliminated these cultural anchors:
- Germany: Egg painter Jutta Levasseur was removed after 30 years of decorating traditional Sorbian eggs.
- Japan: Miyuki Sugimori retired her famous amezaiku candy-sculpting demonstrations after health rules restricted handing out candy to children. She was never replaced.
- Morocco: The pavilion’s authentic craftsmen and shops were removed after Disney took over operations in 2020, converting space into an Aladdin character meet-and-greet.
With Santiago’s departure, EPCOT’s last remaining resident artisan is gone.
A Permanent Bar Crawl Environment
As cultural touchpoints vanish, Disney has aggressively leaned into high-margin alcohol sales. What began as an informal fan tradition—“Drinking Around the World”—has become a core corporate revenue strategy.

Through nearly non-stop festivals like Food & Wine and Flower & Garden, World Showcase is lined with drink kiosks for over 300 days a year. Space once reserved for quiet cultural exhibits and artisan benches now accommodates margarita counters and bar queue overflow. On weekend nights, the promenade feels less like a global cultural showcase and more like a crowded nightlife district.
Overwriting History with Movie Franchises
Hand-in-hand with booze sales is Disney’s push to replace real-world heritage with movie intellectual property (IP):

- Norway: The educational Maelstrom boat ride was replaced by Frozen Ever After.
- France: The pavilion’s expansion centers on Remy’s Ratatouille Adventure.
- Mexico: The Gran Fiesta Tour relies heavily on The Three Caballeros.
- World Discovery: Original scientific exhibits from Future World were replaced by Guardians of the Galaxy: Cosmic Rewind.
While these attractions are popular, they fundamentally alter EPCOT’s DNA. Rather than broadening horizons through real-world history, the park now serves as a promotional backdrop for Disney’s film library.

EPCOT Has Lost Its Soul
Walt Disney envisioned EPCOT as a place that trusted its audience to be fascinated by real people, real art, and real culture. By replacing master artisans with tequila lines and trading global history for animated movies, Disney has traded an inspiring cultural legacy for short-term beverage profits. World Showcase remains visually stunning, but its soul has been replaced by a high-priced bar.