Once upon a time, superhero movies were untouchable. For nearly two decades, Marvel alone has dominated theaters with billion-dollar movies and global cultural relevance. But after years of missteps, reboots, and over-saturation, it’s becoming harder to ignore a growing reality: audiences might be ready to move on from the likes of Marvel and DC.
James Gunn’s Superman (2025) is a perfect example of this shift. While the film performed reasonably well at the box office and introduced David Corenswet as the new Man of Steel, reviews were mixed, and critics and fans alike have been left to question whether the movie carried the weight needed to launch an entire cinematic universe.
The Future of the New DCU
Warner Bros. has ambitious plans—Supergirl: Woman of Tomorrow in 2026, Superman: Man of Tomorrow in 2027, plus The Authority, Swamp Thing, and The Brave and the Bold. On paper, it’s a massive reboot. In practice, however, many fans already feel fatigued.
These issues aren’t limited to DC, though. Marvel has also seen its once-unbreakable streak falter in recent years. A string of underperforming films, uneven Disney+ shows, and the absence of a clear post-Endgame direction have left the MCU looking shaky.
Even die-hard fans admit that the Marvel series feels tired, and the promise of yet another “big crossover event” like Avengers: Doomsday no longer carries the same excitement it once did.
The DCU’s Canon Is Extremely Frustrating
Back on the DC side, Gunn and Peter Safran have only added to fan confusion by cherry-picking canon. Peacemaker Season 2 is confirmed as canon despite being rooted in the DCEU, while the animated Creature Commandos — which came before Superman despite that film being touted as the franchise-opener — is also canon. These choices blur the fresh start audiences were promised, leaving many longtime fans feeling excluded or alienated.
Put simply, the superhero genre is in a rut, and despite hitting reset, DC is no exception. Both Marvel and DC are spending billions chasing the next cultural milestone, but audiences seem less interested in sprawling universes and more in stand-alone stories with distinct voices. Just look at the likes of DC’s Joker (2019) and The Batman (2022) — both critical and financial successes yet untethered to the studio’s shared universes, whether it’s the DCEU or the DCU.
Either way, if superhero movies really have had their time in the sun, Hollywood may need to rethink its entire approach to blockbuster storytelling.
Related: Marvel Defectors Join James Gunn’s Growing DC Universe Amid Franchise Struggles
Where To Watch Superman
Superman (2025) is now available to watch at home.
The film stars David Corenswet as Clark Kent/Superman, Rachel Brosnahan as Lois Lane, Nicholas Hoult as Lex Luthor, Isabela Merced as Kendra Saunders/Hawkgirl, Edi Gathegi as Michael Holt/Mister Terrific, Nathan Fillion as Guy Gardner/Green Lantern, Anthony Carrigan as Rex Mason/Metamorpho, María Gabriela de Faría as Angela Spica/The Engineer, and Krypto the Dog.
What are you first impressions of James Gunn’s new DC Universe? Let us know your thoughts in the comments down below!